Monday 1 February 2016

AS - TV Drama Codes and Conventions


Sub Genres

Television Drama is a broad area of study covering a range of sub genres and even genres that would be considered to be a category of their own with their own codes and conventions. Some texts cross over different sub genres e.g. 24 is Crime Drama and Action Adventure. A generic, comprehensive list includes:
  • Period Drama | EmmaDownton AbbeyThe TudorsMildred Pierce
  • Crime Drama | The WireLutherLife on Mars / Ashes to AshesInspector George GentlyJerry Bruckheimer’s ChaseCSINCIS24New TricksHustleBones,DexterCold Case
  • Science Fiction | TorchwoodDoctor WhoLife on Mars / Ashes to Ashes (arguably),Primeval
  • Medical Drama | Holby CityCasualtyScrubsHouseERDoc Martin
  • Teen Drama | SkinsOC90210Waterloo Road
  • Melodrama / Soap Opera | HollyoaksEastendersCoronation StreetFootballer’s Wives and Hotel Babylon borrow from the conventions of Melodrama
  • Political Drama | West WingSpooks (Spy Drama), The Kennedys
  • Comedy Drama |  ShamelessTrollied (although arguably a SitCom)
  • Action/Adventure Drama | Lost24
  • Fantasy Drama | MerlinBuffy the Vampire SlayerHighlanderLostTrue Blood
Many TV Dramas like Downton Abbey (Period Drama) are critically acclaimed and in October 2011 received 5 Emmy Awards. Critical success and commercial success is common to the genre, as is high production values and many texts are scheduled for 60 minutes, sometimes for 90 minutes in ‘feature length’ format.
Below are the conventions that are common to most of the above TV Dramas – remember that this is generic categorisation:

Generic Conventions

  • Dramatic narrative (storyline)
  • Ensemble cast (each character – own storyline)
  • Expressive lighting techniques dependent on sub genre e.g. high key lighting in Period Drama
  • High production value sound/emotive
  • Exaggerated, hyper real representations of character – cultural stereotyping for entertainment values
  • Scheduled Prime Time (but can be dependent on sub genre e.g. some Crime Drama post watershed)
  • Scheduled in 30 minute / 60 minute (more common) or 90 minute feature length slots
  • Mass, mainstream target audience (non challenging representations)
  • Target audience identified per sub genre e.g. Teen Dramas, Crime Drama (older demographic)
  • 3 Act narrative structure (beginning, middle and an end)
  • Use of Binary Oppositions (creates conflict and anchors meaning)
  • Critical and commercial success – reputation for pedigree
  • Reputation for quality – success is important for the broadcaster
  • Primary channels – BBC1 and BBC2 with some slots allocated to Downton Abbey
  • Open narratives common – some mini series
  • Many TV Dramas made by independent British Production Companies and commissioned by the BBC/ITV/Sky 1/2/3, Sky Atlantic

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